Guillaume Gargaud
Patrice Grente
Patrice Grente
Patrice Grente
Guillaume Gargaud
Patrice Grente
Guillaume Gargaud

Music duo, creating a mind-bending vortex of improvised sound.

Last recordings 2015 "extract"

 
 

Events 2015-2016

 

-19/06 Paris "Détails"

-18/06 Amsterdam "Kulter evening & A/V Club" with "Film for Music" Rapaël Maze

-05/05 Ostrava

-06/05 Praha Školská 28 Art Gallery 

-15/03 Colchester Arts Centre

-22 March Festival "Sauvage de Chambre" (Caen)

-03, 04 and 05 July Recording session at the bunker AMH (le Havre)

Live at Colchester Arts Centre
 

 

Individual Biography:

 

Patrice Grente is a self-trained doublebass player who has worked in jazz and free improvisation for several years. In his personal research, he explores sound as an entity, working with electronics, field recording, materials and sound installations. He has worked with visual arts, dance, theatre, sound poetry and performance with artists such as Pan Huysen, Phil Niblock, Jerôme Noetinger, Paul Dunmall, Luc Bénazet, Deborah Lennie, Fred Hocké, Guillaume Bellanger, Etienne Zemniak, Jean-Luc Cappozzo, Sonia Chiambretto, Benoît Casas, Hugues Vincent, Yumiko Nii. He is also co-founder of the festival [Interstice] in Caen.

Label Records

 

Guillaume Gargaud (Born in France in 1979) is a composer and improvisational guitarist. He's already released about ten albums and composed many musics for contemporary dance. He lives in Le Havre in France where he also teaches music.

Website 

 

He started playing guitar when he was 15, after he was injured in a road accident and forced to stay home for a year. In 1997, in addition to his cabinetmaking studies where he practiced sculpture, marquetry, restoration of antique furniture and art drawing, he worked on his instrument on his own and performed in different bands. In 1999, after passing his exams he decided to dedicate himself to music and he entered the professional course of IIMA lead by Laurent Rousseau. He then studied composition, musical analysis, jazz, contemporary and improvised music. During his studies he experimented with multiple forms of music (free jazz, bebop...).

 

In 2003 , he became a permanent member of the artist collective Zwann eï . He composes for performances, installations, sound poetry and movies. He realises visual creations and integrates laptop ( Ableton, Max msp) in his sound research system which was until then made of pedals, analog effects and objects. His implication in the collective will give him the opportunity to discover a new vision of writing and of the interactive relationships connected to picture, body and to literature.

 

In 2007 he decided to stop his tours to devote himself to his solo music and to get more involved into teaching by creating some improvised music workshops. Many trips, projects, live performances and recording will follow. Work with Loïs Laplace (Cycling 74), Federico Barabino (Buenos aires), Yumi Fujitani (danse butô, Paris), Les Conserveries mémorielles (Québec), Marc Roques (Zooloop, Paris), Sequana Deux (Contemporary Art from Le Havre to Paris "ABRUIT"), Jannick Schou (Denmark), Raphaël Maze and Francois Lebègue (“Light Cone " experimental cinema Paris), Nozal cube (Le Havre), The Future Ethnic Comparative Research Lab. (Paris), La cité de la musique (Paris), Jean Luc Petit,(FR) Sandrine Lascaux (Lecturer, Le Havre University), JP.Gomez, JP Buisson (Le Havre) M.Thouseau and V.Sauve (Paris), Blaise Merino (London), Mangane (Senegal), P.Sigmoon (Cambodia), Jack Wright (US), Raymond Alan Kaczynski, Mike Majkowski,(Berlin), Zachary Darrup (US) .

 

In 2008, he released his first solo album “Le Lieu” produced by Dirty Demos (UK), then in 2009 two CDs “She” with Utech Records (USA) and “Here” with Kvist Records (USA). And in 2011” Lost Chords” with Dead pilot Records UK.

 

Review

«On his latest record, 2011’s Lost Chords, Gargaud has created an essential piece of music for the electronic avant-garde, a masterwork that ranks alongside Fennesz’s Black Sea in regards to its sophistication, attention to detail, influence and brilliance. While being an electronic record, it also stands as a beautiful solo guitar record, recalling elements of Steffen Basho-Junghans or Nick Drake.»

 

 

New CD with FiascoRecords

 

To order, send an email please at fiascorecords@ymail.com

Or  Bandcamp